Programmes

Date 16 Feb to 14 Jun 2027
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa.
Number of hours 50 credits

Price 280€ + 28€ (Enrolment) + 6€ (insurance)

Schedule Monday from 15h to 16h30

Type occasional

Program On premise classes

Teachers

Date 16, 17, 23, 24 FEb and 2, 3, 9, 10, 16, 17, 30, 31 Mar 2027
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa
Number of hours 50 credits

Price 380€ + 38€ (Enrolement) + 1,80€ (insurance)

Admission No requirements. By order of enrolment.

Schedule Tuesdays and Wednesdays from 14h to 17h

Type occasional

Program
On-premise classes.
Cinema, beyond cinema, and cinema once more.
We will explore authors, trends and movements that have contributed to the legitimisation and evolution of the art of cinema, creating or reinventing its language and practices. By anchoring concepts, films and gestures in the history of cinema, we shall look at the early days of the 7th art — the first public screening of the Cinématographe, the journeys and shots of the Lumière brothers, the
revelation of a vision of the world and the possibilities of cinema — and at the early days of television — the involvement of filmmakers and artists in the
public television project, the critical and utopian visions of Pier Paolo Pasolini and Roberto Rossellini, and, on the other hand, the pioneers of video art, the subversion of the CRT (cathode ray tube),
challenging the balance between the roles of the sender and the receiver of images. We conclude with a reflection on the migrations of contemporary cinema towards
new forms and spaces of presentation.

Teachers

Date 19 Oct to 23 Nov 2026
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa.
Number of hours 50 credits

Price 150€ + 15€ (Insc) +1,80€ (Ins)

Schedule 2ª feira das 17h30 às 20h

Type occasional

Program
On-campus classes.
In the creative act, as in its reception, aesthetic experience tends to exceed the limits of perceptibility. Following the path of the philosopher Gilles Deleuze's transcendental empiricism, the course will approach this fact from the point of view of an aesthetics of the virtual as it can amplify the perception of forms through the forces that trigger, populate and express them. This course focuses on studying three main axes – space, time and creation – and establishing connections with other authors' different artistic processes and philosophical thoughts that support the meaning that crosses them. By following the future orientation that seems to define modern and contemporary art, the course also seeks to think about the potency of art in transforming the world.

Teachers

Date 21 Oct to 2 Dec 2026
Location À distância/On-line
Number of hours 50 credits

Price 140€ + 14€ (Enrolment)

Schedule Wednesdays from 18h00 to 20h00

Type occasional

Program On-line classes

Teachers

Date 9 Dec 2026 to 3 feb 2027
Location À distância/On-line
Number of hours 50 credits

Price 140€ + 14€ (Enrolment)

Schedule wednesdays from 18h00 to 20h00

Type occasional

Program On-line classes

Teachers

Date 15 Dec 2026 to 2 Feb 2027
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa.
Number of hours 50 credits

Price 220€ + 22€ (Enrolment) + 6€ (ins)

Admission No requirements. By order of enrolment.

Schedule Tuesdays from 18h00 to 21h00

Type occasional

Program
On-campus classes.
Photographic culture in the artistic and documental context of the 20th and 21st centuries. Students will develop study and observation habits regarding the photographic image, distinguishing between the different contexts of its production, its various uses and its authors.

Teachers

Date 17 Feb to 28 Apr 2027
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa.
Number of hours 50 creditos

Price 300 + 30€ (Enrol) + 6€ (Ins)

Admission No requirements. By order of enrolment.

Schedule Wednesdays from 18h to 20h30

Type occasional

Program
On-campus classes
The specificity of photography in the forms of artistic and documentary production. Analysis of themes and authors whose works mark different postures in contemporary photography.

Teachers

Date 24 Feb to 14 Apr 2027
Location À distância/On-line
Number of hours 50 credits

Price 140€ + 14€ (Enrolment)

Schedule Wednesdays from 18h00 to 20h00

Type occasional

Program Aulas on-line

Teachers

Date 25 Fev a 6 Maio 2027
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa
Number of hours 50 credits

Price 220€ + 22€ (Insc) + 6€ (Seg)

Schedule Tuesdays from 18h to 20h

Type occasional

Program
On-campus classes.
Introduction to the work of contemporary illustrators and Comics authors, allowing for an approach to the historical and formal contents of both Illustration and Comics. The course is constituted by small specific formation units..

Teachers

Date 5 Apr to 10 May 2026
Location Ar.Co – Antigo Mercado de Xabregas, Lisboa.
Number of hours 50 credits

Price 150€ + 15€ (Insc) +1,80€ (Ins)

Schedule 2ª feira das 17h30 às 20h

Type occasional

Program
On-campus classes.
“Letters that are not mailed cease to be missives for possible friends; they turn into archived things” (Peter Sloterdijk, 2000)*. The writings and testimonies of and about artists, in their most varied forms - diaries, letters, lessons and reflections - allow us to explore the theme of the creative process and its aesthetic and philosophical reflection, crossing in a non-linear way different generations, epochs and artistic movements (approaching the cases of romanticism, modernity, modernism, postmodernism and contemporary art). Instead of becoming “archived objects”, the writings become messages for their recipients and “possible friends”.
*Sloterdijk, Peter. "Rules for the Human Zoo: A response to the Letter on Humanism", Environment and Planning D: Society and Space 2009, volume 27, pp. 12 – 28.

Teachers

Date 19 Apr to 7 Jun 2027
Location À distância/On-line
Number of hours 50 credits

Price 170€ + 17€ (insc)

Schedule Mondays from 18h00 to 20h00

Type occasional

Program
On-line classes
From Nature the ground, the water and the heat were harnessed to build shelters and defence works. With terra sigilata and pigments small mugs and casseroles and tiles for the walls and for roof and eave were made. Burned ground was used for clay jug, olive oil jar or water drinking in a scented Estremoz contain-er. And small beautiful fine porcelain figures – or ugly as the devil in popular handicraft – have been pro-duced.
Between sacred and profane – prehistoric flutes, ornaments for godesses and warriors, lamentations in churches, oratories in crossroads and paths, micro-conducters in technology - it takes all sorts of things to make a world and an entire world to know its history and art.

Teachers